I have no words, just a picture.
I have commented on Twitter and in some ways on this blog how we the audience has been jerked around by the writer(s), swinging back and forth between Sseureki and Chilbonggie on the “Who’s the husband?” mystery, so I’ll not dwell on that matter any further.
The writing is one of the most well-done I’ve seen in a while. I really liked that Sseureki and Chilbonggie are being written as male co-leads in this story. Neither of them showed any signs of stepping aside and let the other guy win until the very last episode. The couple-shipping is probably the most intense I’ve ever seen around K-Drama forums for a long time. As much as I didn’t really like being jerked around as an audience, if this is the whole point of writer’s exercise, then this aspect of writing was done really, really well.
I must confess I’ve been hopping between ships, but I like to pick unusual choices. I am not surprised that Oppa is the husband at the end. NaJung always has her eyes on him. While it makes Chilbong’s one-side love look really sad, it also makes him likable to the audience. Just look at the Chilbong-NaJung shippers.
I really look forward to the actors on this show for other future works. Yoo Yoon Shek better has many many show offers piling up on him! I think he is ready for prime time network TV as sole male lead!
Okay, I am on the K-Drama bandwagon sometimes. We are talking about Gianna Jun’s comeback to the small screen after 14 years. The preview of The Thieves where we see how sizzling hot she can be with Kim Soo Hyun is just the icing on the cake.
I was worried for Gianna Jun for a minute or two in the first episode. My Sassy Girlfriend made her famous, so any role that makes her look short tempered and headstrong is in that dangerous, same old same old territory. In this show so far, she is like the female version of Dokko Jin or Kang Hyun-min, which is fine with me! I may get sick and tired of the self-absorbed celebrity characters some day, but right now I’m still entertained by the not-the-brightest-bulb-in-the-bag act.
I liked Cheon Song Yi’s eccentricity and her blonde moments. She is intelligent, if she puts her heart into what she wants to know, but I think her dim-headed moments is based on how she doesn’t care enough to know her surroundings. That premise has a lot of room to grow, at the writers’ mercy. Song Yi just need to have the moment hitting her hard enough to smarten up. In her conversation with her money grabbing mother, she knows money is power and knows that she’s popular because she is good looking. I think I got a peek of light that says she knows her good looks will not last forever.
Yoo In Na’s Yoo Se Mi has so much meta regarding her as an actress I sometimes find it unfunny. I really like her in Queen In Hyun’s Man, and I’d like to see her in a lead role again. Being the second female lead in such a high profile drama is not a bad idea for now. Will see what this story has for Yoo to get her acting chops on.
Do Min Joon, but the show’s requirements, has to be cool-headed alien. So far all the skinship between MJ and SY are hot and awesome. I’ll keep watching as long as the older brother killing spree does not get too makjang.
It is so hard to imagine how a show with such serious Chinese and English titles is the beginning of Stephen Chow’s long journey to his unique style of comedy. This show’s got all the big guns: Stephen Chow, Jacqueline Law, Yammie Lam, Francis Ng, Ng Man Tat…just to name a few.
This is also the time where Stephen Chow met his long time director Lee Lik Chi, with follow up movies such as the Flirting Scholar, Love on Delivery, From Beijing with Love, God of Cookery, The Lucky Guy and Sholin Soccer.
The lines in this TV show is classic, the beginning of Stephen Chow brand comedy:
不如我地坐低飲啖茶，食個包，然後慢慢傾呢？How about we sit down and talk over tea and a bite to eat?
It does not look like much, but with the correct context, or the lack of, will make you roll on the floor and laugh out loud.
The theme song is also loads of awesome with under-the-radar singer David Lui, and lyrics that still speaks volumes by Poon Wai Yuen.
I claim that everybody does this once in their lives: Fast forward to the parts of the drama they like, skipping the parts they don’t. I was doing this to my VCR so much; I wish I could do that to my TV. Just bear with me, I’m still talking about the days before streaming and on demand video.
So. About Thrice-Married Woman. I honestly cannot watch the part about Lee Ji Ah, her husband and her ex-husband. I’m just not into the whole child custody tug-of-war setup.
Then there’s the of Eom Ji Won’s storyline. A vet who’s a womanizer? Check. A pet toy designer in love with a vet? Check. A crazy friend left at the altar by the vet? Check. The hijinks are unbelievable at times, but the comic relief from all the family tug-of-war is a breath of fresh air.
I really love the part where the crazy friend and the womanizing vet are still friends within a week the wedding is botched. The bickering is absolutely fun to watch. There’s some unexplainable magic with three characters in a room. See “The Woman Who Still Wants To Marry”.
It’s too bad there may not be much to watch after all the fast forwarding. I’m going to savor every moment.